We here in the New Yorker photo department love photography books, so much so that we’ve got a room full of them. From time to time, we will be asking the photographers, curators, editors, and other characters who visit our department to select five books from our library that they would want to have with them should they be stranded on a desert island.
For our first installment of Desert Island Photo Books, the Magnum photographer Peter Van Agtmael had the following to say about his selection:
I picked these five books but could have probably picked dozens of others without regret. I chose these through some combination of happenstance (“Boulevard” was sitting on James’s desk and was my most recent purchase) and randomness. Initially, I suggested my own book, but the assembled photo editors looked at me with polite disappointment. So, I scanned The New Yorker’s groaning shelves and my eyes settled on these books. Fate! Or something.
Here’s a look at Peter’s picks and why he picked them.
1 / 5
Katy Grannan, “<a href="http://www.fraenkelgallery.com/index.php#mi=&pt=1&pi=10000&s=0&p=5&a=32&at=0" target="_blank">Boulevard</a>.”<br><br>I had seen bits and pieces of <a href="http://www.katygrannan.com/" target="_blank">Grannan’s work</a> but my ignorance of these portraits was met with dismay and shock by the fountain of photographic knowledge that is <a href="http://art.yale.edu/CurranHatleberg" target="_blank">Curran Hatleberg</a>. He then showed me small jpegs on the internet. Amazed, I ordered the book. It’s one of the best books of portrait photography I’ve seen and my favorite since I first saw Avedon’s “<a href="http://www.richardavedon.com/#mi=12&pt=1&pi=10000&s=0&p=5&a=0&at=1" target="_blank">In The American West</a>.” The cast of characters is impeccable, and the pictures are free and spontaneous despite being posed and shot with the slow-moving 4x5. That cover shot! Oh man, what a cover. It makes me want to go out and get drunk, smash my hard drives in a fit of despair, and start the whole thing over from scratch the next morning.