On April 21, 1967, Svetlana Alliluyeva, the daughter of Joseph Stalin, bounded down the stairs of a Swissair plane at Kennedy Airport. She was forty-one years old and wore an elegant white double-breasted blazer. “Hello there, everybody!” she exclaimed to the crowd of reporters on the tarmac. “I am very happy to be here.”
Svetlana immediately became the Cold War’s most famous defector. She was the only living child of Stalin, who had died in 1953, and she had been known as “the little princess of the Kremlin.” Until a few months earlier, she had never left the Soviet Union. But, at Kennedy, she talked of the freedom and opportunity that she expected to find in America. She was coquettish and funny. She spoke fluent English. The Times published more than a dozen stories about her arrival. The C.I.A. official who first interviewed her noted in a memo that “our own preconceived notions of what Stalin’s daughter must be like—just didn’t let us believe that this nice, pleasant, attractive, middle-aged hausfrau could possibly be who she claimed to be.”
Svetlana later wrote, “My first impression of America was of the magnificent Long Island highways.” The land was vast, and the people smiled. After half a lifetime of Communism, she felt “able to fly out free, like a bird.” A few days after her arrival, she gave a press conference at the Plaza Hotel that was attended by four hundred reporters. One asked if she planned to apply for citizenship. “Before the marriage it should be love,” she responded. “So if I will love this country and this country will love me, then the marriage will be settled.”
George Kennan, a former ambassador to the Soviet Union and one of America’s foremost experts on Russia, had helped her to defect, and she settled in Princeton, where he lived. In the fall of 1967, with Kennan’s help she published “Twenty Letters to a Friend,” which described her family’s tragic history through a series of letters to the physicist Fyodor Volkenstein. The message of the book, it seemed, was that being one of Stalin’s relatives was nearly as terrible as being one of his subjects. Two years later, she published “Only One Year,” a memoir about the months before and after her decision to flee the Soviet Union. In The New Yorker, Edmund Wilson wrote breathlessly that it had “the boldness and the passion of ‘Doctor Zhivago.’ ” The books sold well, and they made her rich. The K.G.B. gave her the nickname Kukushka, which means “cuckoo bird.”
But the public’s fascination with Svetlana didn’t last long. She began to decline interviews, and the press started to lose interest in her: her defection was special, but her presence was not. She kept writing, but her work no longer found publishers in the United States. The fragments of information that emerged suggested that her life had become lonely and unpleasant. In 1985, Time published a story in which she was described as isolated, overweight, vindictive, imperious, and violent. “Her ultimate quarrel was with her father, whom she fatefully resembled,” the author wrote.
By the time the Cold War ended, Svetlana had almost completely disappeared from public view. In the next twenty years, the Times published only one story about her, a five-paragraph squib, in 1992, declaring that she “is living in obscurity in a charity hostel.”
In 2006, while researching Kennan and the Cold War for a book, I decided to write to Svetlana Alliluyeva. According to Wikipedia, she lived in Wisconsin, and a public-records search turned up someone with her name. It seemed unlikely that the letter would reach her, and, if it did, that she’d respond, but, a week later, a thick envelope arrived, holding six tightly folded pages marked “personal and confidential”:
She was eager to discuss Kennan:
She had made some bad decisions, she wrote, and now she was confined to a home for elderly women:
We began a correspondence about Kennan, who helped formulate America’s early Cold War policy of containment and then became one of its most eloquent critics. My book was called “The Hawk and the Dove,” and he was the dove. I had been researching it for a year and a half, and hadn’t yet met anyone who had observed Kennan’s personality as astutely as Svetlana had.
I wrote to her about twice a month, and eventually I started to ask about her life, too. Sometimes she replied in a chaotic cursive. At other times, she typed, annotating the text with underlining, insertions, and sketches of herself pushing a walker, which she referred to as her “four-wheel drive.” She had a vexed relationship with her caps-lock key. A year after we began corresponding, I went to visit her.
Svetlana, who was then eighty-one years old, lived in a senior citizens’ center in Spring Green, Wisconsin, a town of sixteen hundred people. When we met, she was dressed in baggy gray sweatpants and sunglasses, which she wore because of a recent cataract operation. She was short and compact, and her once red hair had turned white and had started to thin. Scoliosis had given her a hunch, and she used a cane. She showed me her one-bedroom apartment on the second floor, and the little desk by a window where her typewriter stood. Her bookshelf included old National Geographic videos, maps of California, Balinese batiks, Hemingway novels, and the Russian-English dictionary that her father had used.
Svetlana was welcoming, and she spoke with the energy of someone who hadn’t told her story in a long time. After a few hours, she wanted to take a walk. I offered my arm as we approached the stairs, but she brushed it away. We headed down a quiet street, to a garage sale, where a man in a Harley-Davidson T-shirt was selling a small cast-iron bookshelf. He asked Svetlana if she wanted to buy it. She couldn’t, she said. She had only twenty-five dollars until the first of the month, when her welfare check came. But maybe he could stash it for her until then?
The man protested, but she persuaded him. Then we started to walk away. “Sprechen Sie Deutsch?” the man called out. She trudged onward, without looking back. “People think that I have a German accent, and I usually say, ‘Yes, I had a German grandmother,’ ” she said, breaking into a laugh.
In the early eighteen-nineties, when Svetlana’s German grandmother, Olga, was a teen-ager, she climbed out of a window in her home in Georgia to elope. Olga’s daughter, Nadya Alliluyeva, when she was sixteen, ran off with Joseph Stalin, a thirty-eight-year-old seminarian, poet, and family friend who had become a revolutionary leader.
Stalin had a son, Yakov, from a previous marriage, and he and Alliluyeva had two more children, a boy named Vasily and Svetlana, who was Stalin’s favorite. Throughout her youth, they played a game in which she would send short letters to him, bossing him about: “I order you to take me to the theatre”; “I order you to let me go to the movies.” He would write back: “I obey,” “I submit,” or “It will be done.” He called her “my little housekeeper,” and signed off, “From Setanka-Housekeeper’s wretched Secretary, the poor peasant.”
Nadya died when Svetlana was six—from appendicitis, she was told. But when Svetlana was fifteen she was home one day reading Western magazines to practice her English and came across an article about her father, which noted that Nadya had committed suicide. Olga confirmed it, and told Svetlana that she had warned Nadya not to marry Stalin. In “Twenty Letters to a Friend,” Svetlana wrote, “The whole thing nearly drove me out of my mind. Something in me was destroyed. I was no longer able to obey the word and will of my father.”
The following year, Svetlana, too, fell in love with a thirty-eight-year-old man, a Jewish filmmaker and journalist named Aleksei Kapler. The romance began in the late fall of 1942, during the Nazi invasion of Russia. Kapler and Svetlana met at a film screening; the next time they saw each other, they danced the foxtrot and he asked her why she seemed sad. It was, she said, the tenth anniversary of her mother’s death. Kapler gave Svetlana a banned translation of “For Whom the Bell Tolls” and his annotated copy of “Russian Poetry of the Twentieth Century.” They watched the Disney movie “Snow White and the Seven Dwarfs” together.
Svetlana had a premonition that the relationship would end badly. Her brother Vasily, she told me, had always been jealous of the attention she received from their father, and he now told Stalin that Kapler had introduced her to something more than just Hemingway. Stalin confronted Svetlana in her bedroom: “Take a look at yourself. Who’d want you? You fool!” He then yelled at Svetlana for having sex with Kapler while there was a war going on. The accusation was false, but Kapler was arrested and sent to the Vorkuta labor camp, in the Arctic Circle. It was the first time, Svetlana told me, that she realized that her father had the power to send someone to prison.
Svetlana enrolled at Moscow State University, where she met and then married a Jewish classmate named Grigory Morozov. It was the only way she could escape the Kremlin, she believed, and her father, preoccupied with the war, grudgingly approved. “Go and marry him, but I will never meet your Jew,” she told me that he said. Their first child, Iosif, was born just as the Nazis surrendered. Morozov wanted many more children, but Svetlana, who had literary ambitions, wanted to finish school. Iosif’s birth was followed by three abortions and a miscarriage. “I was a pale, sickly, green woman,” Svetlana told me. She divorced Morozov and then followed her two acts of romantic rebellion with one of obedience, marrying Yuri Zhdanov, the son of one of her father’s closest confidants. But, she said, “by the time I became a married adult, my father had lost all interest in me.” In 1950, just before the Korean War broke out, she gave birth to a girl named Yekaterina. Svetlana found her new husband cold and uninteresting, and she soon divorced him. She finished school, and she began a career lecturing and translating books from English into Russian.
In March, 1953, Stalin had a stroke. Svetlana wrote, “The death agony was horrible. He literally choked to death as we watched. At what seemed the very last moment, he suddenly opened his eyes and cast a glance over everyone in the room. It was a terrible glance, insane or perhaps angry, and full of the fear of death.”
His suffering, she wrote, came because “God grants an easy death only to the just.” But she still loved him. As his body was removed for autopsy, she wrote, “It was the first time I had seen my father naked. It was a beautiful body. It didn’t look old or as if he’d been sick at all. . . . I realized that the body that had given me life no longer had life or breath in it, yet I would go on living.”
That June, Aleksei Kapler returned from the Gulag. A year later, he and Svetlana happened to attend the same writers’ conference. “There was very bright light in the foyer,” Svetlana told me, smiling and closing her eyes, as she often did when retreating into memory. “We just walked into each other.”
His hair had turned white, but she thought this only made him more handsome. Although Kapler was married, they soon became lovers. “It’s a miracle that I can call you,” he would say. To her, it was a miracle that he had forgiven her for her father’s crimes. Svetlana wanted Kapler to divorce his wife, but he wanted only an affair. Never one to concede defeat, Svetlana confronted Kapler’s wife one night at a theatre. “That was the end of my second marriage, the end of that second part of my life with Sveta,” Kapler later told the writer Enzo Biagi.
The third part started in 1956, when Svetlana was at Moscow State University, teaching a course on the hero in the Soviet novel. That year, Nikita Khrushchev delivered the so-called “secret speech,” a four-hour lecture in which he detailed Stalin’s crimes. After the speech, Kapler’s third wife—the poet Yulia Drunina, whose work Svetlana described to me as “mediocre”—suggested that he give her a sympathetic call. Svetlana and the couple exchanged visits and attended parties together. But Svetlana, who couldn’t bear to see Kapler with another woman, sent him a nasty letter about his wife. He replied in anger, and they never saw each other again. Fifty-two years later, Svetlana told me that Kapler remained the one true love of her life.
In 1963, Svetlana was thirty-seven years old and living with her children in Moscow. The family she’d grown up with was gone: her older half brother, Yakov, had died in a German prisoner-of-war camp, and Vasily had recently drunk himself to death. She had changed her last name to Alliluyeva, because she could not tolerate the sound of “Stalin.” In October, she had her tonsils taken out and was recovering in a Moscow hospital when she met Brajesh Singh, a short Indian man, who had just had nasal polyps removed. He was a Communist who had come to Moscow for medical treatment. The two convalescents began to talk about a book by Rabindranath Tagore that Svetlana had found in the hospital’s library.
Singh was the most peaceful man Svetlana had ever known. He protested when the hospital wanted to kill the leeches they had used in his treatment, and he opened windows to let flies escape. When she told him who her father was, he exclaimed “Oh!” and never mentioned it again.
They spent a month together in Sochi, by the Black Sea, before Singh had to return to India. A year and a half later, after delays from the Soviet and the Indian bureaucracies, Singh returned to Moscow. He and Svetlana filed papers to get married, but the next day she was summoned to her father’s old office in the Kremlin to meet with Alexei Kosygin, the Soviet Premier. The marriage was immoral and impossible, Svetlana recalled him saying: “Hindus treat women badly.”
Singh had long suffered from respiratory problems. When he died, in 1966, Svetlana insisted that she be allowed to take his ashes back to India. It was her first trip outside the Soviet Union and, she said later, the one moment in her life when she felt blissful. When I visited her in Wisconsin, she pulled out some black-and-white photographs and laid them on her cluttered glass coffee table: Singh’s family’s large white house, surrounded by cacti the height of trees; a sparse bedroom with large windows, flowing drapes, and a wooden bed; a man on a camel on the banks of the Ganges. “India had really tremendous impact on me—on my thinking, on my everything,” she told me.
On March 6, 1967, two days before Svetlana’s return flight to the U.S.S.R., she packed her suitcase and sneaked over to the American Embassy, where she announced that she was Svetlana Alliluyeva, Stalin’s daughter. “The Stalin?” one of the diplomats asked. Robert Rayle, the C.I.A. official in India who handled her case, told me that the agency had no record of her existence, but the Americans decided to spirit her out of the country before the Soviets realized that she was missing. That night, Svetlana took the first available flight, which happened to be heading to Rome. A few days later, she was flown to Geneva. “She is the most completely coöperative defector I have ever met,” Rayle wired to Washington. At one point, Rayle told me, the C.I.A. administered an I.Q. test; Svetlana’s score was “off the charts.”
Iosif and Yekaterina, twenty-one and sixteen, were left at the Moscow airport, waiting for their mother. Three days later, she sent them a long letter. Soviet Communism had failed as an economic system and as a moral idea. She couldn’t live under it. “With our one hand we try to catch the moon itself, but with another one we are obliged to dig out potatoes the same way it was done a hundred years ago,” she wrote. She urged Iosif to study medicine and Yekaterina to continue to pursue science. “Please, keep peace in your hearts. I am only doing what my conscience orders me to do.”
When Iosif responded, in April, he wrote:
After Svetlana settled in Princeton, she began hearing from Olgivanna Lloyd Wright, the widow of Frank Lloyd Wright. She urged Svetlana to visit the Taliesin Fellowship, the community dedicated to his memory, which had outposts in Wisconsin and Arizona. Olgivanna told her that she had a daughter, also named Svetlana, who had died in a car crash twenty-three years earlier. Svetlana Alliluyeva thought that perhaps Olgivanna would remind her of her own mother.
In March, 1970, Svetlana arrived in Scottsdale, a warm city that smelled of orange blossom. On her first day at Taliesin West, the Wright compound, she was summoned to a formal dinner, where she found herself at a long, polished bright-red table. Olgivanna, it turned out, believed that Svetlana was a reincarnation of her daughter. Her hope was that this new Svetlana would marry the previous one’s widower—Wesley Peters, a tall man in a sand-colored tuxedo and a ruffled lavender shirt, who was seated beside her.
Svetlana was immediately taken with Peters, a handsome architect best known for having led the construction of the Guggenheim Museum a decade earlier. The next day, the two went for a drive in his Cadillac. “I suddenly felt complete security and peace near this man,” Svetlana said. Three weeks later, they were married.
Svetlana and Wes lived together contentedly for a short time in his apartment in the compound in Scottsdale, and then in Spring Green, Wisconsin, where the Wright fellowship relocated for the summers. She told me once that he was the first man with whom she had enjoyed sex. But life at Taliesin, Svetlana wrote, required complete subservience to Olgivanna. Residents were expected to flatter her, to confess their sins to her, and never to challenge her. Three months after Svetlana’s arrival, she wrote to Kennan, “I feel sad, that again—as long ago in my native cruel Russia, I have to force myself to silence, force myself to false behavior, to hide my true thoughts, and to bend my head down before the fist of false authority. All that is too damn sad. But I shall survive.”
At the age of forty-four, Svetlana became pregnant. Olgivanna found children distracting and difficult. According to Svetlana, she worried that they would disrupt her communication with the dead, and she demanded that Svetlana have an abortion. Svetlana refused, and, in May, 1971, she gave birth to a daughter, whom she named Olga, after her maternal grandmother. Her third child came more than two decades after the two she had left behind—and with whom she no longer had any contact. Soon after Olga’s birth, Svetlana moved out of the compound. Wes, whose devotion to his work exceeded his devotion to his wife, chose to stay behind. “Boy, what I had to endure in my lifetime,” Svetlana wrote to me. “But, surely, a dictator-Father was somewhat more ‘normal,’ in my view, than this woman-dictator.”
For the first forty-five years of Svetlana’s life, money wasn’t a problem. Her father hadn’t used it, didn’t need it, and didn’t care about it. In her youth, Svetlana was taken care of by the state. When she first came to America, she was made wealthy by her books. But she spent too much on herself, Olgivanna demanded money to finance Taliesin, and Wes was a spendthrift. After they married, Svetlana paid off his vast debts. Then she gave him money to start an ill-fated cattle farm. After Svetlana and Wes agreed to divorce, her lawyer, Walter Pozen, Kennan’s son-in-law, spent a year working on a settlement. One day, his phone rang in the middle of the night.
“I don’t want to sign the agreement,” he recalls her saying. She was still in love with Peters and had no desire to take anything from him.
“You can’t buy him back,” Pozen snapped. Svetlana hung up. She didn’t get her money, and it was five years before she spoke to Pozen again.
After Taliesin, Svetlana returned to Princeton. Men continued to fall for her, but her life was unsettled in every way. She started to move around constantly: from New Jersey to California and back again. “Mom used to move around every year, sometimes twice in a year,” Olga told me. “She always had to be in a new place by November, when her mother died.” Her friends kept abandoning her, Svetlana wrote, so she “had to go on blindly alone. Again I made mistakes, led by estate agents, by a stray conversation, by various moods.” Then, in the early eighties, in part because she believed that she could find a better school for Olga, Svetlana moved to England.
She and Kennan continued to write to each other regularly. But, in the late seventies, her tone changed. She was angry that Kennan hadn’t sufficiently promoted her books, and that the lawyers he hired had assigned the copyright of the English version of “Twenty Letters” to Priscilla Johnson McMillan, its translator. Svetlana believed that all she needed to do in order to make money was print more copies, and that not having the copyright prevented her from doing so.
To each rant, Kennan responded with restraint and, eventually, Svetlana would apologize. But then she would, once again, remind Kennan of what she considered to be his many flaws:
Olga was eleven before she learned who her grandfather was. One day, paparazzi showed up at her school in England and an administrator had to smuggle her out in her car, hidden under blankets. That night, her mother explained it all. “It was a lot to process,” Olga told me. “But there was always a lot to process with Mom.”
The next year, Svetlana was at home in the apartment that she and Olga shared, near the Cambridge University Botanic Garden, when the phone rang.
“Mama, is that you?” a man said in Russian. It was Iosif, calling for the first time in fifteen years. Svetlana froze, and then told him how much his voice had changed.
“You, too—you speak like a foreign tourist,” he said.
They talked for a few minutes, and then he said, “Call me whenever you want!” To Svetlana, this implied that the new Soviet leader, Yuri Andropov, had approved the phone call. “I knew my son too well to imagine this was just his courageous intention,” she later wrote.
They talked from time to time, and Svetlana began to think about returning to the Soviet Union. Iosif, who was now a cardiologist, and Yekaterina, who was a geologist, each had a child. Olga could meet her half siblings and her cousins. “The more my mind realized what a shock my trip to the U.S.S.R. would be for everyone, the more my heart insisted on it,” she wrote.
In October, 1984, she met Iosif at the Sovietsky Hotel, in Moscow. She passed through the revolving doors, and he strode across the wide marble floor to greet her. But everything seemed tense and awkward. Svetlana noticed a woman she considered to be ugly and old, and was startled to learn that it was her son’s wife. Iosif refused to engage with his American-born half sister. At dinner, Svetlana held her son’s hand in hers, but it felt alien. “It used to be long and slim, with beautiful fingers, a refined hand,” she wrote in “A Book for Granddaughters,” an unpublished account of this period, which she sent to me. “Now the fingers have become plumper and shorter—is such a thing possible at all?”
Yekaterina, working in Kamchatka, didn’t come. A few months later, she sent a single-page letter to her mother, declaring that she “never forgives,” that she “never could forgive,” and that she did “not want to forgive.” “Then, in language worthy of a Pravda editorial, I was accused of every kind of mortal sin against the beloved motherland,” Svetlana wrote. The letter ended with the Latin “Dixit”—“She has spoken.”
The Soviet leaders boasted of Svetlana’s return, but she was miserable there. When approached by reporters on the street, she swore at them in frustration. At a formal press conference, she seemed ill-tempered and ill-mannered. “In those cold autumn days of 1984 in Moscow, I felt as if I was sinking into dark waters—as it is sometimes in a nightmare,” she wrote. Even the architecture seemed grimly oppressive. Olga remembers that her relatives were disappointed that she and her mother hadn’t returned with suitcases full of VCRs and international perfume. A month after her arrival, during a sleepless night, Svetlana had a vision of Georgia, her parents’ birthplace. Soon afterward, she and Olga flew to Tbilisi.
She felt more at ease there, but her father haunted her in a new way. “My greatest burden lay in the need of everyone to tell me ‘what a great man’ my father was: some accompanied the words with tears, others with hugs and kisses,” she wrote. “It was a torture for me. I could not tell them how complex were my thoughts about my father.”
Olga felt the same way. “It was like I was made out of cotton candy; everyone was just swooping me up and nurturing me,” she said. “People were crying at the sight of my mother and me.”
The affection was oppressive, and within a year Svetlana decided that she needed to leave the Soviet Union. The purpose of her visit had been to reunite with her family, but Yekaterina was hostile and Iosif hadn’t written to her since she left Moscow. She asked the new General Secretary, Mikhail Gorbachev, for permission to depart. He was amenable, as long as Svetlana met with one senior hard-liner. So she headed to the familiar corridors of the Central Committee building to see Comrade Yegor Ligachev. “Your problem has been solved by the General Secretary,” Ligachev said. Then he raised his forefinger: “But—behave!” As she left, he added, “The Motherland will survive without you. The question is: will you survive without the Motherland?”
In 2008, I read online that Iosif had died of a heart attack, at the age of sixty-three. A few days later, I spoke to Svetlana on the phone and she joked that she expected to eventually die of heart failure. I realized that she must not have known about her son’s death, so I called Olga, who now goes by a different name, and lives in Portland, Oregon, where she sells antiques, vintage clothes, and scented candles. She thanked me for calling and told me to keep writing letters to her mother, adding, “She’s a sweet, gentle, vulnerable woman who is followed around by demons.”
The second time I visited Svetlana, in the spring of 2008, she had moved to Richland Center, another town in Wisconsin. A few months before, an N.Y.U. student named Lana Parshina had visited her in Spring Green to videotape her for a class project. Svetlana had agreed, she told me, because she thought that Parshina looked as if she could be her grandchild. But, soon afterward, Svetlana became convinced that Parshina worked for Russian intelligence—why had Parshina wanted to do the interview in Russian? why had she travelled to Moscow soon after the conversation?—and that Vladimir Putin now had video of her Spring Green apartment. Svetlana was scared; it was time, she thought, to move on. (Parshina, who still works on films, and who is an American citizen, told me that Svetlana’s suspicions were “very sad.”)
I stayed in Richland Center for a weekend, asking Svetlana questions about Kennan. At eighty-two, she was slower and more forgetful. On Sunday afternoon, I took her to lunch at a diner called the Center Café, and she wore an elegant scarf—a present from the children of the nanny who had taken care of her in her youth, she said. When we had finished eating, she stood to hobble out to the car. A heavyset woman held the door for her and started to talk in a thick Wisconsin accent about how she was good at opening doors for the elderly, because she had two parents in nursing homes. Svetlana walked swiftly ahead to escape the conversation. “Goodbye, and whatever,” she muttered.
Over the years, Svetlana and I had grown closer, and she began to give me advice—lots of it. I shouldn’t go into politics, she told me over and over. When my first son was due, she insisted that I stay away from the hospital. I should avoid the pain, and wait for him to be shown to me, clothed and clean. She told me to slow down: “Do not overwork—!!!!! EVER!!!!!” When I wrote to tell her that I was going to Russia to do some reporting on a secret Soviet nuclear device, she panicked: “DO NOT GO!” Putin would kidnap me. I would be turned by Russian spies. “Be careful with plump, drinking Russian women—PLEASE!! You just do not know how far they might go, out of that stupid ‘Russian patriotism.’ But I know.”
At one point, she exploded in a letter: “While I am still breathing (with difficulty, lately) PLEASE leave me alone!” She continued, “You do not want to cause me the final stroke, do you, Nick?” But the tantrums passed quickly. After one rant about how the copyright of the English version of “Twenty Letters” had been assigned to Priscilla Johnson McMillan, I called McMillan. She was surprised to learn that she had the copyright, and said that she would happily return it. Svetlana was delighted when I showed her the forms indicating the re-registration at the Library of Congress, under her name.
In May, 2009, I read a book by Sergo Beria, the son of Lavrenti Beria, Stalin’s sadistic secret police chief. The book described Svetlana’s youth and included the declaration that she had wanted to marry Sergo. I knew to be cautious when asking anything related to Lavrenti Beria, whom Svetlana considered to be at the center of her family tragedy. Nadya had called him a “dirty man,” and banned him from the house. When she died, Svetlana wrote, Beria “got my father’s ear, who after my mother’s suicide did not trust anybody and was a ruined man.” In her telling, Nadya’s death led to Beria’s rise, which led to many of the horrors for which her father was blamed.
Still, she had just asked me to send her more questions, and the stories told by Sergo were both colorful and plausible. (He quoted Svetlana once as saying, “Really, it’s impossible to love men. You have to treat them as the bees treat the bumblebees.”) So I decided to ask about Sergo and her youth.
A letter soon arrived, describing Beria’s “accursed family” and denouncing me. “It is a pity that the dirty waters of what is called ‘American culture’—namely American journalism—swept over your head,” she wrote. “You certainly could do much better in the more honorable field—say Arts. . . . Good-by, dear Nicholas, and I hope that your life will NOT be devoted to Politics. What a waste of human resources.”
I wrote to apologize. A few days later, I received an envelope containing my unopened letter and a short note: “All your letters will be returned the same way, as this one (enclosed), unopened and unread.” She added, “I am trying to sever our correspondence in the most polite fashion.”
Two months later, she wrote again:
I wrote back with a new request: Tell me about your mother. This time, she replied. But it was not an easy subject. “Twenty Letters to a Friend,” though dedicated to her mother, contains no tender memories. She remembers her mother spanking her and her father rushing to comfort her. “I cannot recall her kissing or caressing me ever,” she wrote. In the one letter from her mother that she had saved, she was scolded for her behavior: “When Mama went away, her little girl made a great many promises, but now it turns out she isn’t keeping them.” At one point, Svetlana wrote, her mother had declared that she was bored by “everything, even the children.” Years later, Svetlana told Olga that her mother had drawn a tattoo of a black square over her heart and told her that “this is where the soul is.” It was the spot in which she shot herself.
Now, though, Svetlana wanted me to think about her mother’s politics. Nadya was an early feminist who should never have married Stalin. The act that defined her for history—her suicide—should be regarded as an act of political courage, not of maternal abdication:
She concluded:
With that, her letters became warm again. I wrote less frequently, though. My book was done, and I had fewer questions. In June, 2011, she began to write about death:
A few months later, the phone rang. It was Olga. Her mother, who was eighty-five, had colon cancer and was in the hospital. She wanted to hear from people and to exercise her brain. Olga asked me not to mention my children. The topic seemed to distress her mother. I sent a letter, but didn’t hear back.
When Olga realized that Svetlana was close to death, she wanted to visit, but Svetlana had requested that her daughter not see her die, and that she not be allowed to view the body. Svetlana, Olga told me, had been haunted her entire life by the sight of her mother lying in an open coffin.
Svetlana died that November. She had told me several times that this was the hardest month for her. It was when everything started to get cold, and when her mother had killed herself. Svetlana had told me that she expected to die at the age of eighty-five. I said that Kennan had been fatalistic, too. He was sure that he would die at fifty-nine, but he’d lived to the age of a hundred and one. She responded, “Well, he lived the way he wanted to. I don’t live the way I want to.” ♦
