“The Thinking Molecules of Titan”: A Story by Roger Ebert

In 2011, Roger Ebert wrote, several times and with rapt enthusiasm, about Terrence Malick’s film “The Tree of Life.” Here’s how one review begins:

Terrence Malick’s new film is a form of prayer. It created within me a spiritual awareness, and made me more alert to the awe of existence. I believe it stands free from conventional theologies, although at its end it has images that will evoke them for some people.

The review continues to cite the film’s cosmogonic dimension, as well as its depiction of life in Middle America in the nineteen-fifties, which he likens to his own childhood. What he doesn’t mention here—but does elsewhere, as in this essay, from earlier that year—is his passionate devotion to music, to classical music in particular, and he finds an extraordinarily rational way to suggest its transcendent power:

_They say we only use a small percentage of our human minds. I believe music has its best existence in those parts we do not otherwise employ. It’s possible I’ve had my wisest and most profound thoughts while listening to Beethoven. I wouldn’t know, would I?__Whatever Ebert’s religious views were, they weren’t dogmatic; I’d even say, judging from his writings, that he was a fervent humanist who worshipped, above all, the highest creations of the human mind, such as science and art. He also revered the stuff of human experience: the warmth of relationships; the bonds of friendship, family, community. In his autobiography, he wrote with unyielding tenderness and in piquant detail about his college years at the University of Illinois at Urbana-Champaign. And, of course, as much as he will be remembered for his writing, he’ll also be remembered for his talking—not monologues or lectures but some of the most entertaining dialogues on television, in his broadcasts with Gene Siskel.

I don’t know whether Ebert wrote “The Thinking Molecules of Titan” before or after seeing “The Tree of Life,” but it’s as if the story were actually his fullest review of that movie. It also offers a touching self-portrait as a man of his times, of his group, and of his musing mind. The researcher Mason’s rhapsodic vision of the universe and his modest yet unshakeable sense of his part in it is rooted in a real sense of place (a college town in Illinois) and in connections between friends and colleagues. This parable, of the fusion of science and art with the greatest mysteries, is a vision of a good life as well as of the universe; as such, it’s a poignant credo. We present it here in unedited form.

—Richard Brody

* * *

The text message came as Mason was dipping fried lake perch into the tartar sauce. This was in the Capital, a bar in Campustown that offered an elementary but cheap menu, on the grounds—the owner McHugh once told him—that if someone left looking for food they might never come back. The message on Mason’s phone said, “We have a pattern.” He reflected that any pattern, by definition, would be untold years in age and would not change now that the Titan Listening Lab had recorded it. He finished his perch, his French fries, and his canned creamed corn. He closed with apple crumb cake and the last of his beer. He said goodbye to his friends Alex and Claire.

“Later,” Alex said. Claire may possibly have nodded. They were leaning over shoeboxes filled with punch cards, part of their project to rebuild a museum working model of PLATO, the old computer program created on the Illinois campus in the nineteen-sixties. The Capital was a vaguely bohemian place, surrounded by disgusting undergraduate hangouts where underage students drank illegal beers. This, in Mason’s opinion, was the upside of their lamentable tendency to stand outside and lean over the sidewalk to vomit.

He walked east on Green Street, noted, as he always did, that Alma Mater was still standing, and turned left at the College of Engineering to walk down to the National Center for Supercomputer Applications. During this walk, the fauna shaded from barfing Greeks to distracted geeks. His measured steps were intended to contain any sign of eagerness. He wasn’t falling for this pattern. Mason had been listening to Titan—or rather his equipment had been listening—for so long he knew that if he betrayed hope the moon would break his heart. He knew that this pattern, like all promising patterns in celestial noise, was very unlikely to be a message. There would be some mundane way to explain it away, and no reason to anticipate it was being sent from, or to, any entity, for any reason.

Mason’s primary reason for monitoring his signals was an admirable one: it brought in grant money. The university was a subcontractor, tuned into the Cassini spacecraft since it launched in 1997. Cassini represented primitive technology by today’s standards, and yet it was heading where man’s mind had never been before, and would send back signals when before there had been only silence. For long, cold years, it moved doggedly through the solar system, finally arriving in an orbit around Saturn. Then numbers fell into place in its onboard computer and, unthinkingly, Cassini gave birth to its passenger, a lunar lander named Huygens, which landed on Titan in 2005. Not much had happened since.

Titan is a curious resident of the solar system. For that matter, Mason reflected, it was curious that it existed at all, and for that matter it was curious that Saturn existed at all, and the universe at all, and Mason at all. He found it a consolation to contemplate how small he was, in comparison to his surroundings. When had it been, that day he switched over from imagining the universe beginning with Earth and extending beyond? One day, he found that his point of view was no longer in Urbana, Illinois, and was now located in some undefined, implacable immensity where all the universe was a pinpoint of light, and in his imagination he approached it through the void until it broke down intimately into larger pinpoints, and then galaxies, suns, and planets, like in one of those YouTube sped-up videos. Closer and closer Mason would draw to it in his mind, until finally he was in Urbana, and Alma Mater was standing with arms outstretched.

Mason’s step had quickened, he noticed. In density, Titan was half ice, half rock. If only she had known this, Emily Dickinson would have written a poem about it. Since ice and rock tend, in their nature, to remain ice and rock, what interested Mason was an ocean of magma between the ice and the rock. This sort of sea was not frozen because it contained a great deal of ammonia. If anything was happening on Titan it was happening there, thought Mason, as he used his swipe card to pass security and take the elevator to the floor where his laboratory was located. Swipe cards were made possible because of early computer programs such as those at Illinois. At the time, the university’s computer department was contained entirely within a modest office building just east of what was now the Center, and was filled mostly with vacuum tubes. A photo of it was framed on the elevator wall.

“Same old, same old,” said Bruce Elliott, who was on duty. “Maybe an undertone of a slight variation of same old, same old. Then suddenly the shit hits the fan.” Having obviously prepared his punch line, Elliott turned up a knob and the room was filled with meaningless noise. Only his computers could notice that it wasn’t quite the same. That it was old was a given.

“Your good friend Regan has a theory,” he said, referring to a woman who now took off her headphones and wheeled her chair around to face them. Her jolly red glasses frames usually looked bookended by Bose.

“I have a theory,” Regan said, “but it’s impossible in practice.”

“All theories are,” Mason said, “until they’re proven to the satisfaction of every last fanatic who remains unsatisfied.”

“Well, to begin with, this sounds like a pattern. Highly unscientific, but I’ve been listening to this shit longer than you have. My theory,” Regan said, “is that we are receiving the signal from a slightly different point in the area than before.”

“We know that Cassini parachuted to the surface, which is definitely a place, and it stayed where it landed” Mason said. “Because how did it move?”

“That I don’t know,” Regan said. “It would tend to be impossible.” She giggled. Regan giggled a lot about imponderables. “I’ve run some analysis, and it’s clear from the machines that the class of noise we’re been receiving is subtly different.”

“How different?”

“Subtly different.”

“I see,” Mason.

“Science-fiction different,” Regan said.

“Tell us a story,” said Elliott.

“Let’s go over to the Capitol,” Regan said. “I know you’ve just come from there.”

Alex and Claire were still there. “Hiya, pards,” Alex said.

“Regan has a science-fiction story for us,” Mason said.

Claire continued to sort her shoeboxes. Alex nodded “beer” to the waitress.

“In an infinitesimal solar system in a speck of a galaxy,” Regan said, “the third rock from the sun is inhabited by intelligent beings. These creatures develop intelligence, and send a spacecraft to the moon of one of the other planets.”

“Are you racing through this?” said Alex.

“Now it gets good. This moon has a frozen surface. Beneath that surface is a magma of liquid—an ocean that encloses the moon. Apparently, the third-rock people speculate, this ocean is somewhat made of liquid water.”

“The spacecraft went for a sail,” Alex said.

“The spacecraft was not very heavy,” Regan said. “It happened to land at a place where the subsurface sea was slightly closer to the surface, or the surface was slightly depressed.”

“Captured by pirates,” said Elliott.

“I’m ignoring you,” Regan said, and giggled. “The way they later figure it out, over several decades the spacecraft settles into the surface just a tiny wee bit. Maybe its batteries generate enough heat to melt the surface slightly.”

“You don’t even know if it has batteries,” Alex said.

“Shut up. I don’t need to know. In this ocean, life has evolved. These magma oceans were warmer than the rest of the moon. They were made up of methane-ethane kinds of shit. We know on earth that life is possible without oxygen. Think of those plumes at the bottom of the Pacific, living off sulfur. Ugh! Oy, what a life.”

“I give you the plumes,” Alex said. He pushed aside his shoebox and settled into drink.

“In these vast oceans, over many, many years, life evolves. I don’t think it had very much else to do. It has lots longer than seven days and seven nights. It doesn’t form bodies and evolve into plants and animals. But as Darwin taught us, a random, accidental event could cause something to change in this life, whatever it was, no matter if it was only a molecule wandering lonely as a cloud. This something happened. Years pass. Two molecules get chummy and do something to react to the presence of each other.”

“They become Moby Dick,” Alex said.

“In your dreams,” Regan said. “Not enough organization. No physical material masses. All still molecules. Evolving, evolving, evolving, all the way down, like the turtles.”

“I like the turtles,” Mason said. “The American Indians said they stood for perseverance.”

“Name me a culture that doesn’t say that,” Alex said.

“O.K.,” Regan said, “here comes the Darwinian thunderbolt. The accident, the mutation, we don’t know what—but definitely something, because in the result is the proof.”

“An act of God,” said Alex, needling Regan. He knew Regan was a Unitarian and so would both reject God and keep an open mind on the subject.

“No need for God,” Regan said. “Just something. You have a change, you have a reason for a change. Not even a reason. Just the fact that first they’re this and then they’re this other thing that maybe happened by itself and maybe didn’t, but one way or another.”

The waitress knew them and stopped at their booth.

“One left of the apple crumb cake,” she said.

“Dibbies,” said Regan. “So anyway, we know the evolution of life involves the communication of information. Not information like the Unicops keep on potheads. Information like, here it is, and now it’s over there, and what do you know.”

“I’m with you,” Mason said.

“This is a vague idea,” said Regan. “I’m still working on it. Titan evolves molecules that group in such a way that they, oh, get together, like, and don’t actually communicate, like, but prowl around in non-self-conscious collective-information patterns. That’s what we’re hearing, now that we’re closer to the source.”

“There’s only one way this is going,” Alex said. “A lunar intelligence.”

“Intelligence is not required,” Regan said. “All that’s needed are patterns that move more easily than other patterns. Patterns that lend themselves to pattern-originators. The way of least resistance. We don’t like sulfur, but it’s yummy for the deep-sea plumes.”

“ ‘The Thinking Molecules of Titan,’ ” Mason said. “I see a cover of ‘Amazing Stories’ from the Gernsback era, with a space girl with an air helmet wearing a space suit with a plunging neckline, and fleeing toward us from giant globes filled with those tiny atoms.”

“Now finish my story,” Regan said. “Over and over, one eon after another, the molecules develop a pattern that’s a good fit. It’s easy for them. It would be more difficult to stray from it. What is it?”

“It can’t be language,” Mason said. “Must be mathematical, if it’s information at all.”

“You made this all up out of thin air,” Alex said.

“Of course I did. Now you tell me what we’ll find after we find a way to crack those patterns.”

Claire closed her shoebox. “It’s music,” she said. They’d almost forgotten she was there. “Titan doesn’t know bubkes about notes, rhythm, orchestras, or singers. It has no interest in how its pattern could take shape in the world, because it doesn’t know about worlds. It just evolves and evolves until it gets in the groove.”

The others looked intently at their beers.

Claire said, “Maybe not today, maybe not tomorrow, but soon, and for the rest of your life, you’ll crack the code, and Titan will be playing ‘As Time Goes By.’ ”

Read Richard Brody’s Postscript of Roger Ebert.

Illustration by Dan Clowes.